评论
打印
初级英语听力(新版) Lession13
—Can I help you, sir?
—We want a meal.
—What sort of meal? A hot one or a cold one?
—A salad, I think.
—Which one, sir? A ham or a beef salad?
—What's this sort of salad in English?
—Which one are you looking at, sir?
—That one over there, next to the bread rolls.
—That's a beef salad, sir.
—Thank you. Is there any rye bread?
—No, I'm sorry. There are plenty of rolls.
—Excuse me, sir, where do you come from?
—We come from Copenhagen.
—You speak English very well.
—Thank you.
—What are you doing at the moment?
—We're visiting London.
—What do you both do?
—We are teachers.
—Do you like your salad?
—Yes. It's nice and fresh. Is yours good, too?
—No. Mine is rather tasteless.
—You need some salt and some olive oil.
—Allow me to fetch you a chair.
—Thank you, but I've just asked the waiter to get me one.
—Let me get you a drink, then.
—Thank you again, but look, John's bringing me one now.
—I don't seem to be very useful, do I?
—Don't say that. There's always another time, you know.
Man: Three gin and tonics please.
Waitress: I'm sorry, sir, but we're not allowed to serve drinks before twelve o'clock midday. Would you like me to bring you something else? Some coffee?
Man: Waiter, this table-cloth is a disgrace. It's covered with soup stains.
Waiter: Oh, I'm so sorry, sir. It should have been changed before. If you'll just wait one moment ...
Man: Waiter. I can't quite understand how you manage to get ten marks plus twelve marks plus sixty-five marks fifty pennies to add up to one hundred and seventy-seven marks fifty pennies.
Waiter: One moment, I'll just check it, sir. You're quite right, sir. I can't understand how such a mistake could have been made. I do apologize, sir.
Interviewer: Now let's go back to your first novel, Rag Doll. When did you write that?
Writer: Rag Doll, yes. I wrote that in 1960, a year after I left school.
Interviewer: How old were you then?
Writer: Um, eighteen? Yes, eighteen, because a year later I went to Indonesia.
Interviewer: Mm. And of course it was your experience in Indonesia that inspired your film Eastern Moon.
Writer: Yes, that's right, although I didn't actually make Eastern Moon until 1978.
Interviewer: And you worked in television for a time too.
Writer: Yes, I started making documentaries for television in 1973, when I was thirty. That was after I gave up farming.
Interviewer: Farming?
Writer: Yes, that's right. You see, I stayed in Indonesia for eight years. I met my wife there in 1965, and after we came back we bought a farm in the West of England, in 1970. A kind of experiment, really.
Interviewer: But you gave it up three years later.
Writer: Well, yes. You see it was very hard work, and I was also very busy working on my second novel, The Cold Earth, which came out in 1975.
Interviewer: Yes, that was a best-seller, wasn't it?
Writer: Yes, it was, and that's why only two years after that I was able to give up television work and concentrate on films and that sort of thing. And after that ...
