Roger Payne, alpinist and avalanche expert, died on July 12th, aged 55
MOST climbers simply chafe to reach the tops of mountains. Roger Payne was different. Although he had several first ascents to his name—Mount Grosvenor in China, Khan Tengri and Pobeda in Kazakhstan, in a career spanning 30 years—his priority was to go lightly, and leave no trace. His heroes were the alpinists of the early 20th century, George Mallory, Tom Longstaff, Freddie Chapman and the rest, who had climbed the world's greatest peaks in tweed jackets and leather boots. Like them, he went in a tiny team, often only with his wife, Julie-Ann Clyma, who was also a mountaineer. He took no oxygen, and avoided using fixed ropes. Every piece of rubbish or equipment was brought down off the mountain: not only his own, but also the tattered tents and empty cartons discarded by other people. In 1993, on K2, he also found and carried down the light, clean bones and ragged clothing of Art Gilkey, an American climber swept away by an avalanche in 1953.
大多数登山者爬到山顶的时候，身上都少不了各种绳带的勒痕。罗杰·佩恩（Roger Payne）却非如此。虽然他在30年的登山生涯中初次登过中国的格罗夫纳山，哈萨克斯坦的汗腾格里峰和托木尔峰——但他登山时优先考虑的是轻装上阵，不留踪迹。他心目中的英雄大都是20世纪初期的登山家，有乔治·马洛里（George Mallory）、汤姆·隆斯塔夫（Tom Longstaff）、弗雷迪·查普曼（Freddie Chapman）等人，他们都是仅靠一身花呢上装和一双皮靴就征服了众多世界高峰的人。和他们一样，罗杰·佩恩也是以小队形式登山，而且常常是他与妻子（朱利安·克里玛（Julie-Ann Clyma），也是一名登山者）只身二人出征。他不带氧气装置，也不用固定绳，而且还会把登山路上看到的垃圾和废弃的登山用具从山上带下来：除了自己的废弃物，他还会捡拾别人扔掉的破帐篷和被遗弃的空箱子盒子什么的。在他1993年攀登乔戈里峰（K2）的时候，他还发现并带回了美国登山者阿特·吉尔凯（Art Gilkey）（于1953年，死于雪崩）的遗物，包括几块较轻且干净的尸骨和一些破旧的衣物。
He went lightly and purposefully, but with great care. The mountains he loved so passionately were fickle, and demanded vigilance. Lithe and smiling, proud of his “boot-shaped” and blister-proof feet, he moved on exposed rock faces with the grace of a dancer and the fearlessness of a boy. He did things right: tents were dug in with proper snow-walls, supplies stored in well-marked snow-holes, attempts quickly abandoned if tiredness or bad weather struck. He would never push his luck on mountains, though he himself was never tired, leaping up from a schnapps-heavy evening to pull on his head-torch for a 1am start, and in booming cockney (“Are you climbing, or what?”) encouraging laggards onwards and upwards.
As he went, despite the stream of merry chatter about the relative merits of waterproof fabrics, or the perfect pH of beer, he was on the watch. For snow that was fresh and powdery, or piled into a cornice; for slopes that were too steep; for debris of fallen rocks, or the mid-morning heat of the sun. All these were omens of avalanches. He was expert on them, teaching climbers and students—especially in the Alps, where he lived later on—to recognise the warning signs, and developing a safety code that came to be used across Europe.
He knew avalanches at close quarters—at times, way too close. On Pumari Chhish in Pakistan in 1999 he and Julie-Ann had spent five nights trapped on an icefield, with avalanches breaking over their tent. On Nanda Devi East in 1994 they had to descend an avalanche, and just made it; but he had taken the precaution of appeasing the mountain gods with a prayer-flag planted at the summit. Like the Romantic poets (like Byron's Childe Harold, which he would quote in reams, word-perfect, as he climbed), he believed that mountains were sublime. He had a special love for the compactness of Sikkim, squeezed between Tibet and India, whose elegant, shining peaks he helped open again to mountaineering. A camera went with him always, strapped tight against his sternum, to record for others the beauty he saw. But some of his favourite quotations weighed up the beauty against the risk.