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Delacroix, Liberty Leading the People
德拉克拉瓦:《自由领导人民》
We're in the Musee du Louvre and we're looking at Delacroix's Liberty Leading the People. This is one of the most historically important paintings in this collection.
我们在罗浮宫，我们正在欣赏德拉克拉瓦的《自由领导人民》。这是这系列收藏品中在历史上最重要的画作之一。
And it's important to remember, I think, how radical this painting was. Its Republican Revolutionary politics were palpable, a little bit, perhaps, lost to us, I think, today. The painting shows the revolution of 1830 on the streets of Paris. And what we see is a barricade, which was a makeshift blockade.
重点是要记得，我认为，这幅画作有多么激进。其共和革命中的政治活动是很明了的，也许有一点点不在我们今天的理解范围内。这幅画显示了巴黎街头1830年时的革命。我们看到的是一道街垒，那是个临时的路障。
And remember that Paris at this time was really a medieval city, and so that the streets were narrow, and they were winding, and it was easy to block off French troops. And they were made of furniture, they were made of wagons, they were made especially of cobblestones. And you can see the cobblestones down in the very foreground.
记得这时的巴黎确实是个中古世纪的城市，所以那些街道都很窄，它们蜿蜒曲折，且很容易阻碍法国军队。它们是以家具筑起的、它们是以马车堆起的、它们特别是用鹅卵石叠起的。你可以看到鹅卵石就在下方这个前景里。
Over those cobblestones strides a figure who one would not have actually seen on the streets of Paris. So we have this mixture of the real and the unreal, because we have this allegorical figure of Liberty herself carrying the French tricolor flag, which represents equality, fraternity, and liberty—the values of the revolution.
在那堆鹅卵石之上，一个人们不曾会在巴黎街头看过的人物迈开步伐。我们有这个真实与虚幻的综合体，因为我们有这个象征自由女神本身的角色举着法国三色旗，那代表平等、博爱、与自由－－革命的价值。
So in the United States, we would recognize this figure as the Statue of Liberty, not a specific individual, but in fact, the embodiment or personification of an idea—the idea of freedom.
所以在美国，我们会认出这个人物是自由女神像，不是一个特定的个人，但事实上，是一个理念的具体化或拟人化－－自由的理念。
So it's important to remember here that what's happened is a monarchy had been restored in France that was very politically oppressive. And the revolution in July of 1830 was against that restored King Charles X and brought into power a constitutional monarchy, presumably, a king that would be more friendly to the needs of the middle class.
所以这里重要的是要记得，发生的事情是一个非常带有政治压迫的君主政体在法国被重新建立起来。1830年的七月革命是对抗复辟的国王查理十世，并让君主立宪政体掌权，照理来说，是一位对于中产阶级需求更加友善的国王。
So there were three days of, beyond protest, of an open warfare in the streets of Paris. Charles X actually flees France, and his cousin Louis Philippe is put on the throne, and Delacroix is watching this from his window.
所以除了抗议，在巴黎街头还有一场三天的公开冲突。查理十世确实逃离法国，他的表亲路易·菲利浦被推上王位，而德拉克拉瓦正从他的窗口观看这些事。
And the violence is really frightening. We have in the foreground dead members of both sides of this fight.
那暴行确实很吓人。我们在前景有这场争斗中双方丧命的成员。
The figure on the left is really brutal. If you look closely, it's clear that he's in his night shirt. And one of the practices of the repressive government was to go after the opposition in their homes, beat them to death, and drag them to the streets as a reminder: "Do not do this." There's a very famous Daumier: Rue Transnonain that shows a family that has been killed in their bedroom.
左侧的人物是非常残忍的。如果你看得仔细些，很明显他穿着他的睡衣。而镇压政府的行动之一是追到反对派者的家中、打死他们、并把他们拖到街头好似个提醒：“别这样做。”有个非常知名的杜米埃的《特兰斯诺南街事件》，那画出一个在卧室被杀害的家庭。
And on the right, a member of the other side of the king's forces, who's dead or wounded in the foreground.
在右侧，另一边国王军队的成员，在前景他是死亡或受伤的。
And that's important because, I think, that's a reminder that even the royal troops are not invincible.
那很重要，因为，我认为，那是个提示即便皇家军队都不是刀枪不入的。
Liberty strides forward. She's incredibly powerful. And importantly, Delacroix is giving her kind of realism. That was very important, I think, in terms of this message. I think if the figure had been an ancient Greek looking figure, we would have lost some of the strength of this image.
自由女神向前跨步。她是不可思议地强大。重要的是，德拉克拉瓦正赋予她的一种现实性。那是非常重要的，我认为，就这个讯息而言。我认为如果那角色是个古希腊样貌的角色，我们会失去这画面的某些力度。
We see her in profile, starkly lit, with a kind of Caravaggio-esque lighting, her arm forward with the flag, the other arm carrying the bayonet, striding over the barricade, a figure that leads the people on with this idea of liberty.
我们从侧面看她，明显地被打亮，以一种卡拉瓦乔式的打光手法，她的手臂向前举着旗子，另一只手携带着刺刀，跨过街垒，一个有着这自由理念带领人们向前的角色。
So, I think I see exactly what you're saying, but I also disagree, because I think that Delacroix isn't viewing this figure with all of those very human attributes that we're talking about, all of that sense of leadership, and all of the allegorical power that she represents.
所以，我认为我完全看到你说的东西，但我也不同意，因为我认为德拉克拉瓦不是用那所有那些我们正在谈论的人类特质、用所有领导的概念、以及所有象征性的力量来看待这个人物。
But at the same time, I think Delacroix is actually very consciously drawing on the ancient tradition. The perfect profile, which is the most noble way of representing the face according to the classical world, reminds us of Roman coinage, for instance.
但同时，我认为德拉克拉瓦确实是非常有自觉地在运用古代的传统。那完美的侧面，根据古典世界那是呈现面孔最高尚的方式，使我们想起罗马货币，举例来说。
So it's not as if Delacroix looked out of his window and actually saw this, and that's not just because of the allegorical figure of Liberty. The figures are carefully composed in the shape of a pyramid. And Delacroix has also included very different types of figures intentionally, showing the range of people who participated in the revolution of 1830.
所以并不是好像德拉克拉瓦望出他的窗子并确实看到这个，还有那不只是因为自由女神这象征性的人物。那些人物被仔细地组成金字塔的形状。而德拉克拉瓦同样也故意放入了非常不同类型的人物，显示出参与1830年革命人们的阶级范围。
So not only do you have the man wearing the top hat, a member of the bourgeoisie, of the middle class, but next to him is a craftsman—a workman—in his shirtsleeves, who probably can't afford that nice rifle. But they are together opposing the monarchy.
所以你不只有戴着高帽子的男人－－资产阶级的、中产阶级的成员，但在他旁边的是一名工匠－－一位工人－－只穿着他的衬衫，他也许无法负担得起那把好步枪。但他们在一起对抗君主政权。
And so there was a real political message here of the power of the people to overthrow a government. And the government of Louis Philippe that came into power purchased this painting, but later this message started to feel a little bit uncomfortable.
所以这里有个真正的政治讯息是有关人们的力量去推翻一个政府。而获得政权的路易·菲利浦政府买下了这幅画，但稍后这个讯息开始感到有点不舒服。
A little too radical.
有点太激进了。
A little too radical. In fact, the government of Louis Philippe, although a constitutional monarchy, still only a very small fraction of the French people were able to vote. We're talking about a government that was still favorable only to the interests of real elite. And so the power of the people that we see here in this painting became dangerous, and the painting was taken down and not exhibited again until the revolution of 1848.
有点太激进了。事实上，虽然是个君主立宪政体，路易·菲利浦政府还是只有非常小部分的法国人民可以投票。我们在讲的是一个仍然只对真正精英的利益有利的政府。所以我们在这幅画中看到的人民力量变得危险，而这幅画被取下，且不再展出直到1848年的革命。
We'll look, for instance, at the extreme right side of the canvas, and you can make out the two towers of Notre Dame rising above the smoke of battle. And if you look very closely, you can see the tricolor on that symbol of the monarchy. And so this was such a radical image.
举例来说，我们会看到画布右侧末端，你可以辨别出圣母院的两座塔从战场的烟硝中扶摇直上。如果你非常仔细看，你可以看到那个君主政体象征上的三色旗。所以这是这样的一个激进影像。
Liberty is moving directly into our space, leading the people forward. You can see why this painting ended up going essentially into storage.
自由女神正在直接地移动到我们的空间，带领人们向前。你可以知道为什么这幅画最后必须待在仓库里。
