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托福TPO-45 Lecture 1-3

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Similarly, in sculptures, most of the weight seems to on one foot, which also results in this slanted position,

相似的,在雕塑中,大部分中心似乎都在一只脚上,这也导致了这种倾斜的姿势,
making it seem like the figure is about to walk or move.
让它看起来似乎这个人物准备要走或移动。
This adds to the realistic aspect of the figure.
这增加了这个人物的逼真度。
But there are actually a lot of things that could go wrong in the attempt to create such a pose.
但是在创造这种姿势的尝试中实际上可能会出很多错。
You could make a figure’s arms bigger than its legs, or the head too small for the body.
你可能会把人物的胳膊画得比腿大,或者把头部画得太大,和身体不搭。
Messing up the proportions can leave a figure looking cartoon-like and unnatural.
搞错了比例会把人物画得像卡通人物,一点儿不自然。
But Alberti had a solution. He encouraged artists to visualize a figure’s bones and structure.
但是Alberti有解决办法。他鼓励画家们设想一个人物的骨骼和构造。
This would give the artist an idea of the proportions of the figure.
这会让画家有一个对人物比例的概念。
From there, Alberti suggested that the artists imagine attaching the tendons and muscles, then covering those with flesh and skin.
从那一步,Alberti建议画家们想象着在上面加上肌腱和肌肉,然后在这上面覆盖上肉和皮肤。

重点单词   查看全部解释    
figure ['figə]

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n. 图形,数字,形状; 人物,外形,体型
v

联想记忆
covering ['kʌvəriŋ]

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n. 覆盖物,遮避物 adj. 掩护的,掩盖的

 
solution [sə'lu:ʃən]

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n. 解答,解决办法,溶解,溶液

联想记忆
realistic [riə'listik]

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adj. 现实的,现实主义的

 

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