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vt. 说服，劝说
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Section C
Directions:
In this section,
you will hear a passage three times.
When the passage is read for the first time,
you should listen carefully for its general idea.
When the passage is read for the second time,
you are required to fill in the blanks numbered from 36 to 43
with the exact words you have just heard.
For blanks numbered from 44 to 46
you are required to fill in the missing information.
For these blanks,
you can either use the exact words you have just heard
or write down the main points in your own words.
Finally, when the passage is read for the third time,
you should check what you have written.
now listen to the passage
Some people say that
if you want to go into the recording business,
“It’s not what you know,
but who you know, that matters.
” My first reaction to that is to disagree,
but on second thought I must admit
that there is some truth in it.
When you go for an interview for a job in a studio,
they will be interested in the qualification you have on paper
but the really important thing will be that
you can show you have had some useful experience.
If you don’t know anyone significant,
look in the yellow pages for the list of local studios.
Go round to the ones that seem to be professional.
And ask them if they need extra help.
They will not want to employ you
unless you have some previous experience,
so tell them that you will work there for nothing,
that you are just interested in recording,
and that you are on the lookout for
any job that comes up.
You should display your personality
as good as you can.
If they accept you,
at first you have to make the tea or sweep the floor.
When they get to know you and see
that you like studio work,
they may give you more interesting jobs
and think of employing you.
You will have to spend a year or so working there
before they offer you a job.
If the studio is an active one doing music and speech work,
you will be able to learn a lot about recording in a year.
Of course,
if you realize that the studio is not a prosperous one,
leave it instantly and look for another one.
now the passage will be read again
Some people say that
if you want to go into the recording business,
“It’s not what you know,
but who you know, that matters.
” My first reaction to that is to disagree,
but on second thought I must admit
that there is some truth in it.
When you go for an interview for a job in a studio,
they will be interested in the qualification you have on paper
but the really important thing will be that
you can show you have had some useful experience.
If you don’t know anyone significant,
look in the yellow pages for the list of local studios.
Go round to the ones that seem to be professional.
And ask them if they need extra help.
They will not want to employ you
unless you have some previous experience,
so tell them that you will work there for nothing,
that you are just interested in recording,
and that you are on the lookout for
any job that comes up.
You should display your personality
as good as you can.
If they accept you,
at first you have to make the tea or sweep the floor.
When they get to know you and see
that you like studio work,
they may give you more interesting jobs
and think of employing you.
You will have to spend a year or so working there
before they offer you a job.
If the studio is an active one doing music and speech work,
you will be able to learn a lot about recording in a year.
Of course,
if you realize that the studio is not a prosperous one,
leave it instantly and look for another one.
Now the passage will be read for the third time
Some people say that
if you want to go into the recording business,
“It’s not what you know,
but who you know, that matters.
” My first reaction to that is to disagree,
but on second thought I must admit
that there is some truth in it.
When you go for an interview for a job in a studio,
they will be interested in the qualification you have on paper
but the really important thing will be that
you can show you have had some useful experience.
If you don’t know anyone significant,
look in the yellow pages for the list of local studios.
Go round to the ones that seem to be professional.
And ask them if they need extra help.
They will not want to employ you
unless you have some previous experience,
so tell them that you will work there for nothing,
that you are just interested in recording,
and that you are on the lookout for
any job that comes up.
You should display your personality
as good as you can.
If they accept you,
at first you have to make the tea or sweep the floor.
When they get to know you and see
that you like studio work,
they may give you more interesting jobs
and think of employing you.
You will have to spend a year or so working there
before they offer you a job.
If the studio is an active one doing music and speech work,
you will be able to learn a lot about recording in a year.
Of course,
if you realize that the studio is not a prosperous one,
leave it instantly and look for another one.
This is the end of listening comprehension
| 重点单词 | 查看全部解释 | |||
| persuade | [pə'sweid] | 联想记忆 | ||
| nevertheless | [.nevəðə'les] | |||
| availability | [ə.veilə'biliti] | |||
| understand | [.ʌndə'stænd] | |||
| beneficial | [.beni'fiʃəl] | 联想记忆 | ||
| boring | ['bɔ:riŋ] | |||
| mental | ['mentl] | 联想记忆 | ||
| stress | [stres] | |||
| urban | ['ə:bən] | 联想记忆 | ||
| troubled | ['trʌbld] | 联想记忆 |
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